Showing Collections: 1 - 8 of 8
Berk Family collection, 1920s-2019
Berklee College of Music collection of campus events audio recordings, 1969-1994
College campus event recordings on quarter-inch audio tape from approximately 1969 to 1995, most likely produced or compiled by the Concert Operations department. Recordings include clinics, master classes, concerts, opening convocation, and commencement ceremonies.
Berklee Office of Public Information collection by Alma Berk, 1934-2007
Materials collected and organized by Alma Berk during her tenure as Chief Public Affairs Officer (1959-1994), including press clippings and releases, photographs, institutional reports, files on faculty and students, promotional materials, college publications and curricular material, and other records documenting the college's first 50+ years.
Bill Pierce collection of Berklee College of Music Woodwind department recordings, 1988-2006
Recordings on audio and video cassettes, compact disc, and audio reel collected by the longtime Berklee College of Music Woodwind department chair and faculty member Bill Pierce.
Dave Samuels papers, 1958-2019
The papers of American vibraphonist and Berklee faculty member Dave Samuels (1948-2019) primarily pertain to Samuels's performance and recording activities between the 1970s and 2010s. Materials include scores and charts, commercial and unpublished recordings, music studies and teaching materials, and biographical material and ephemera.
Ed and Ruth Williams collection on Boston jazz, 1984-2004
This collection comprises the work of sound engineer Ed Williams and photographer Ruth Williams, who together documented the New England jazz scene for over 15 years. Materials include multi-track audio recordings of live performance and related indices by Ed Williams; photograph books by Ruth Williams; and a Yamaha audio workstation.
Jazz in the Classroom recordings and scores, 1958-1976
Renick Ross papers, 1946-2022
The papers of American composer, poet, artist, and craftsman Renick E. Ross (1940-2012) primarily pertain to Ross’s composing activities between the 1960s and 2011. Materials primarily include unpublished manuscripts, unpublished sound recordings, and biographical material.